wrap around canvas, sides painted white, hanger wire attached, ready to hang.
expressionist brushstrokes
light gloss finish
note: it must be laundry day
Friday, February 26, 2010
The Beach
11 x 14
acrylic on panel
ready to hang w/unique hanger on back that lets work float off the wall
Just listed for sale on russpotak.etsy.com
Monday, February 8, 2010
INLET POINT
11 x 14
acrylic on stretched canvas
$89 - available at russpotak.etsy.com
I particularly like this piece, because it was totally a spontaneous work,
formulated from a visual image in my mind, from one of the many visits to our New England coastline.
Sunday, February 7, 2010
Some days I just feel like pushing paint around. I don't really care that it ends up as something, or not, but the process is just simply rewarding. Its kind of like when your at the beach and just wiggle your toes in the sand. There is a therapeutic quality to it all. Subjectivity is not all its cracked up to be. Sometimes a painting is just a painting.
Friday, February 5, 2010
TABLE FOR SIX
Acrylic on Canvas
16 x 20
$124 --Go to Etsy for purchase info.
russpotak.etsy.com
When I painted this, I wanted the lilacs all get together in this table arrangement. Like they were a family.
The bowl of fruit adds a bit of change to keep the composition lively.
I love the amber and rust tones throughout the painting.
This one of of many, of my Flower series paintings that I worked on with a passion.
Tuesday, January 19, 2010
I painted this from a sketch I did at Mass MoCa in North Adams, Ma.
As I was having my coffee in their bistro, I saw this compositional arrangement to be captured by the pencil. I think I did it justice once I got into my studio and translated it to acrylic. Notice part of the museum can be seen from within the museum itself.
Tuesday, January 12, 2010
The process of art can become comfortable and formatted if allowed to be. The artist must be open to allow the process to flow. The process must not be lead by the artist. The artist must allow the work to evolve without pre conditioned restraints. The art must be allowed to be what it was meant to evolve into aside from the controlling hand that can either guide it, or stifle it.