Birdseye Diner Yellow Coffee Mug

acrylic on canvas paper

9x12

About this painting:
People that know me, know one thing about me. I love my coffee. Not the milkshake, sundae varieties with names longer than intros to some novels, but rather the kind that pours out black and you add at the most cream, or sugar. or both. Well anyway, this is one of my many favorite coffee mugs. Having just finished my brew, I painted the mug, which is now immortalized in paint, for all time. It sits on an insulated fabric insulated coaster, available at WSDreams from Etsy.
I hope you like my mug, and my painting.

Someday maybe I'll paint my other mug, the one I see in the mirror. ~ ugh, or is that mugh!

Soup Can

9x12

acrylic on canvas paper

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I actually painted this in my studio, and it was just a bunch of stuff near by and the can sat on a table edge covered with a cloth. But, people not knowing that, have come to see the can on a hill of grass and a city in the background. Thats what you got to love about expressive paintings. You can never tell what interpretation will surface from viewing them.

Seaside Boathouse

16 x 20

acrylic on stretched canvas

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A place I sketched from a photo I took on Old Cape Cod. It was early in the morning, no one was around but me and my coffee. I wandered down to the boats waiting on the shore, and just soaked in the peace and quite.

Cows in Pasture

16x20

acrylic on stretched canvas

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Seacoast Village

16 x 20

acrylic on panel

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The Seaside town of

Kennebunkport, Maine

11 x 14

acrylic on panel

Had to do this one. A favorite little port nestled in an inlet on the Maine seacoast. Love this place! I found it challenging, conveying the colorful bustling life onto the surface of my painting. I wanted the salty ambiance of the town to come through. This is the town Popeye would have frequented on one of his shore leaves.

Sometimes I'm glad I paint impressionistically, for it's an asset when trying to capture a multi-eclectic subject matter that won't stand still. ~ Hope you like it!

Country Spring Landscape

11x14

acrylic on gessoed panel

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This painting is from a composition just down the road from me, and I sketched it out rather than taking a picture. I find that sometimes the photo doesn't remind me as much of the subject as does a sketch. Too much information in the photo is more than likely the reason.

This way I handled this painting, is the direction that I am striving for in my work. A free, looser approach, with more emphasis on making a maximum statement, with minimum of complexity in execution. Its not easy, as I am finding out. Saying more with less, is way harder that saying more with more. Simplicity is complex. But thats the mystery and key. It should look like it was done with ease, and yet, the ease is work. The appearance by the viewer should be one of, .. its free, easy going, lively, and they should not be aware of the foundation and work behind the paint. Its kind of like magic. You see it and are engrossed, but not aware of the hand behind the illusion. I hope to maintain this direction as I continue my work.